Half pan set of 12

Venetian Red 

Venetian Red is a rich, warm earth red that’s beautiful for portraits, brick, rust, and soft florals, and it makes deep, natural neutrals with blues and browns.​
Pigment: PR102, natural red iron oxide on an earthen base

Orange Ochre

Orange Ochre is a warm, earthy orange‑gold that is lovely for dry grasses, warm stone, skin tones, and autumn leaves.​
Pigment: PY43, natural yellow iron oxide (orange ochre)

Yellow Ochre
Yellow Ochre is a soft, sun‑washed golden yellow perfect for skin tones, botanicals, and warm light in landscapes.​
Pigment: PY43, natural yellow iron oxide from France​

Terre Verte
Terre Verte is a soft, muted green with yellow undertones, beautiful for classical portraits, foliage, and gentle, atmospheric greens.​
Pigment: PG23, natural green earth (earth loam) from France​

Ultramarine Blue 

Ultramarine Blue is a radiant, slightly warm blue that’s perfect for skies, shadows, and mixing luminous purples and greens.​
Pigment: PB29, synthetic ultramarine on an earthen clay base from France​

Burnt Umber 

Burnt Umber is a deep, warm, chocolate‑brown that’s ideal for rich shadows, tree bark, hair, and quick value studies.​
Pigment: PBr7, natural brown iron oxide from France​

Violet Ochre
Violet Ochre is an earthy, reddish‑violet brown that’s gorgeous in shadows, rock, and moody florals.​
Pigment: PR102, natural red iron oxide (violet‑leaning)

Black Ochre
Black Ochre is a soft, earthy black that feels more natural than carbon blacks, perfect for subtle shadows and muted mixes.​
Pigment: PBk11, natural black iron oxide from France​

Titanium White Rutile
Titanium White is a bright, opaque white perfect for highlights, pastels, and soft chalky mixes.​
Pigment: PW6, titanium dioxide (rutile)​

Ultramarine Purple
Ultramarine Purple is a bright, slightly granulating violet that’s lovely for florals, shadows, and atmospheric skies.​
Pigment: PV15, ultramarine violet on an earthen base​

Burnt Sienna
Burnt Sienna is a warm, reddish‑brown that’s a staple for skin tones, rust, bark, and mixing greys with blue.​

Raw Sienna
Raw Sienna is a golden, slightly greenish yellow‑brown that’s perfect for sand, skin tones, and gentle light in landscapes.​
Pigment: PY43, natural sienna earth from France​

Raw Umber
Raw Umber is a cool, muted brown with a greenish undertone, great for neutral mixes, shadows, and limited palettes.​
Pigment: PBr7, natural umber earth from France​

Brilliant Yellow
Brilliant Yellow is a clear, slightly cool primary yellow similar to lemon, ideal for bright mixes and clean greens.​
Pigment: PY53, nickel titanate yellow on mineral base​

Emerald Green
Emerald Green is a bright, opaque green with powerful tinting strength, great for bold foliage, vivid mixes, and graphic work.​
Pigment: PG17, chromium oxide or related green on mineral base​

French Turquoise
French Turquoise is a clear, bright turquoise perfect for water, skies, and fresh, modern palettes.​
Pigment: 10% man‑made turquoise mineral on a calcium carbonate base​

Mayan Red 

Mayan Red is a bright, contemporary primary red that makes vivid florals, fresh oranges with yellow, and glowing pinks with white.

Pigment: PR287, contemporary Mayan pigment on calcium carbonate

Rose

Rose is a vibrant synthetic pink, safe for health and environment, perfect for bold florals and lively mixes.

Pigment: PR122, quinacridone magenta

Monte Carlo Blue

Monte Carlo Blue is a strong, clean blue with excellent colouring power, perfect for vivid skies and intense mixes.

Pigment: PB15, copper phthalocyanine on sodium aluminosilicate base.

IMPORTANT INFORMATION

Each pigment pan is handcrafted in my Ottawa studio, poured in 3–4 layers with 2–3 weeks of drying between pours for a rich, highly concentrated colour that reactivates beautifully.

Half pans. Naturally sourced ingredients, ethically sourced pigments, handmade in small batches. Minor imperfections (bubbles, bumps, cracks) are normal and do not affect quality.

Dot cards and template sets are hand-poured with generous amounts of paint—made for real use, with enough colour for many painting sessions.

HOW TO USE

• Wake up the paint with a drop of clean water.

• Let it sit for 2–3 minutes so the pigments can soften and reveal their full depth and shimmer.

• Mix colours freely on your palette or directly on the page to create your own custom shades.

• Allow pans and dots to dry completely before closing or storing to keep them in top condition.