Half pan set of 12

Venetian Red 

Venetian Red is a rich, warm earth red that’s beautiful for portraits, brick, rust, and soft florals, and it makes deep, natural neutrals with blues and browns.​
Pigment: PR102, natural red iron oxide on an earthen base

Orange Ochre

Orange Ochre is a warm, earthy orange‑gold that is lovely for dry grasses, warm stone, skin tones, and autumn leaves.​
Pigment: PY43, natural yellow iron oxide (orange ochre)

Yellow Ochre
Yellow Ochre is a soft, sun‑washed golden yellow perfect for skin tones, botanicals, and warm light in landscapes.​
Pigment: PY43, natural yellow iron oxide from France​

Terre Verte
Terre Verte is a soft, muted green with yellow undertones, beautiful for classical portraits, foliage, and gentle, atmospheric greens.​
Pigment: PG23, natural green earth (earth loam) from France​

Ultramarine Blue 

Ultramarine Blue is a radiant, slightly warm blue that’s perfect for skies, shadows, and mixing luminous purples and greens.​
Pigment: PB29, synthetic ultramarine on an earthen clay base from France​

Burnt Umber 

Burnt Umber is a deep, warm, chocolate‑brown that’s ideal for rich shadows, tree bark, hair, and quick value studies.​
Pigment: PBr7, natural brown iron oxide from France​

Violet Ochre
Violet Ochre is an earthy, reddish‑violet brown that’s gorgeous in shadows, rock, and moody florals.​
Pigment: PR102, natural red iron oxide (violet‑leaning)

Black Ochre
Black Ochre is a soft, earthy black that feels more natural than carbon blacks, perfect for subtle shadows and muted mixes.​
Pigment: PBk11, natural black iron oxide from France​

Titanium White Rutile
Titanium White is a bright, opaque white perfect for highlights, pastels, and soft chalky mixes.​
Pigment: PW6, titanium dioxide (rutile)​

Ultramarine Purple
Ultramarine Purple is a bright, slightly granulating violet that’s lovely for florals, shadows, and atmospheric skies.​
Pigment: PV15, ultramarine violet on an earthen base​

Burnt Sienna
Burnt Sienna is a warm, reddish‑brown that’s a staple for skin tones, rust, bark, and mixing greys with blue.​

Raw Sienna
Raw Sienna is a golden, slightly greenish yellow‑brown that’s perfect for sand, skin tones, and gentle light in landscapes.​
Pigment: PY43, natural sienna earth from France​

Raw Umber
Raw Umber is a cool, muted brown with a greenish undertone, great for neutral mixes, shadows, and limited palettes.​
Pigment: PBr7, natural umber earth from France​

Brilliant Yellow
Brilliant Yellow is a clear, slightly cool primary yellow similar to lemon, ideal for bright mixes and clean greens.​
Pigment: PY53, nickel titanate yellow on mineral base​

Emerald Green
Emerald Green is a bright, opaque green with powerful tinting strength, great for bold foliage, vivid mixes, and graphic work.​
Pigment: PG17, chromium oxide or related green on mineral base​

French Turquoise
French Turquoise is a clear, bright turquoise perfect for water, skies, and fresh, modern palettes.​
Pigment: 10% man‑made turquoise mineral on a calcium carbonate base​

Mayan Red 

Mayan Red is a bright, contemporary primary red that makes vivid florals, fresh oranges with yellow, and glowing pinks with white.

Pigment: PR287, contemporary Mayan pigment on calcium carbonate

Rose

Rose is a vibrant synthetic pink, safe for health and environment, perfect for bold florals and lively mixes.

Pigment: PR122, quinacridone magenta

Monte Carlo Blue

Monte Carlo Blue is a strong, clean blue with excellent colouring power, perfect for vivid skies and intense mixes.

Pigment: PB15, copper phthalocyanine on sodium aluminosilicate base.

IMPORTANT INFORMATION

Each pigment pan is handcrafted in my Ottawa studio, poured in 3–4 layers with 2–3 weeks of drying between pours for a rich, highly concentrated colour that reactivates beautifully.

Half pans. Non-toxic, ethically sourced pigments, handmade in small batches. Minor imperfections (bubbles, bumps, cracks) are normal and do not affect quality.

Dot cards and template sets are hand-poured with generous amounts of paint—made for real use, with enough colour for many painting sessions.

HOW TO USE

• Wake up the paint with a drop of clean water.

• Let it sit for 2–3 minutes so the pigments can soften and reveal their full depth and shimmer.

• Mix colours freely on your palette or directly on the page to create your own custom shades.

• Allow pans and dots to dry completely before closing or storing to keep them in top condition.